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Killing Eve is a British spy thriller television series, produced in the United Kingdom by Sid Gentle Films for BBC America, starring Sandra Oh as a British intelligence investigator obsessed with capturing a psychopathic assassin, portrayed by Jodie Comer. It is based on the Villanelle novel series by Luke Jennings. The show's first three seasons has had different female showrunners: Phoebe Waller-Bridge (season one), Emerald Fennell (season two) and Suzanne Heathcote (season three).

Having ordered the show on November 15, 2016, BBC America renewed the show for a second season before its first season premiere (April 8, 2018), and renewed it for a third season the day after its second season premiere (April 7, 2019).

The show has received critical acclaim for both seasons in the U.S. and U.K. The first season received unbroken weekly ratings growth among young adults, which no other television show had accomplished in more than a decade.

In 2019, it was awarded a Peabody Award. In its first season, it won the BAFTA award for Best Drama Series and was nominated for a Golden Globe Award for Best Drama Series. Sandra Oh was awarded the Golden Globe Award, Screen Actors Guild Award and Critics' Choice Award for her performance in the first season. She also received a nomination for Outstanding Lead Actress in a Drama Series at the 70th Primetime Emmy Awards. Jodie Comer won the BAFTA award for Best Leading Actress.

• 2Cast and characters
• 3Production
• 4Episodes
• 6Reception
  • 6.1Critical response
  • 6.2Ratings
• 7UK Ratings

Premise[edit]

Eve Polastri (Sandra Oh), a desk-bound British intelligence officer, begins to track down talented psychopathic assassin Villanelle (Jodie Comer), while both women become obsessed with each other.^[3]

Cast and characters[edit]

Main characters[edit]

• Sandra Oh as Eve Polastri, an agent with MI5 (the UK's domestic counter-intelligence and security agency) who becomes obsessed with a notorious assassin and is recruited on an off-the-books basis to the foreign intelligence agencyMI6.^[4][5]
• Jodie Comer as Villanelle / Oksana Astankova, a psychopathic, skilled assassin who becomes obsessed with the MI5 officer who is tracking her^[5][6]
• Fiona Shaw as Carolyn Martens, head of the Russia Section at MI6^[5][7]
• Darren Boyd as Frank Haleton, Eve's supervisor at MI5^[5] (season 1)
• Owen McDonnell as Niko Polastri, Eve's English-Polish husband, a teacher^[8]
• Kirby Howell-Baptiste as Elena Felton, Eve's assistant^[5][9] (season 1)
• Sean Delaney as Kenny Stowton, an ex-hacker who has been recruited by MI6^[5][7]
• David Haig as Bill Pargrave, Eve's MI5 associate who comes with her to MI6^[5][7] (season 1)
• Kim Bodnia as Konstantin Vasiliev, Villanelle's handler^{[5][7][10][11]}
• Nina Sosanya as Jess, an experienced MI6 agent now working as a part of Eve's team (season 2)^[12][13]
• Edward Bluemel as Hugo, a wealthy Oxford graduate, who is working as a part of Eve's team at M16 (season 2)^[12][13]

Recurring[edit]

• Susan Lynch as Anna, Villanelle's former languages teacher and love interest (season 1)^[14]
• Henry Lloyd-Hughes as Aaron Peel, the heir to a tech company following the assassination of mogul Alistair Peel (season 2)^[13]
• Adrian Scarborough as Raymond, a member of the Twelve (season 2)^[13]
• Shannon Tarbet as Amber Peel, Aaron's sister (season 2)^[13]
• Emma Pierson as Gemma, a teacher colleague of Niko's.

Production[edit]

Season 1[edit]

Sally Woodward Gentle, of Sid Gentle Films, optioned Luke Jennings's Codename Villanelle, which began as a four-part novella published between 2014 and 2016. Following the stage success of Fleabag, Phoebe Waller-Bridge was recruited to write the show, which was then commissioned by BBC America in November 2016.^[15]Sandra Oh was the first to be cast in June 2017,^[16] and IMG boarded for distribution rights later that month.^[17]Jodie Comer was cast as main character Villanelle about a month later.^[18] Kirby Howell-Baptiste was cast as Elena in August 2017.^[9]

Filming began in Tuscany on July 17, 2017, extending to further locations in Paris, Berlin, Bucharest,^[19]Cheshunt, Turville, London^[20] and West London Film Studios. The Viennese Cafe opening scenes were shot at Bar Garibaldi in Colle di Val d'Elsa, a small hilltop town north west of Siena, Tuscany. The building used as Eve's base is in Warwick House Street, just off Trafalgar Square.^[21] In the London pub scene, the external shot shows The Albert pub in Victoria Street, while the dark panelled wall interiors of The Old Nick in Sandford Street were optioned for the interior scene. In episode three, Villanelle lures David Haig's character Bill Pargrave into tailing her out of Berlin Friedrichstraße station and along a neighbouring Berlin tramway street before entering a busy nightclub, the location of which was Fabric, opposite London's Smithfield Market. Bucharest's neoclassical Romanian Athenaeum concert hall was converted into a decadent cafe for the penultimate Moscow scene. Filming also took place at Nell's Café, a popular roadside café off the A2 near Gravesend in Kent, as well as at the nearby M2 motorway.^[22]

Season 2[edit]

Shortly before its premiere, Killing Eve was renewed for a second season.^[23][24] Filming started on July 16 and finished on December 14, 2018.^[25] It premiered on April 7, 2019, and was broadcast concurrently in the United States by BBC America and AMC.^[12] In July 2018, The Hollywood Reporter reported that Waller-Bridge delegated some responsibility for the second series, hiring Emerald Fennell as head writer, and Lisa Bruhlmann and Francesca Gregorini as directors.^[26]

Luke Jennings's sequel, Killing Eve: No Tomorrow, was published in March 2019, shortly before the second season premiere.^[27] Although the book diverges from the television series, they were said to 'share common DNA' because of Jennings's continued collaboration with the creators.^[27]

Season 3[edit]

Fewer than twelve hours after the premiere of the second season, BBC America renewed the series for a third. Suzanne Heathcote will serve as showrunner,^[28] so that each new season of Killing Eve brings on a new female showrunner.^[29]

Episodes[edit]

Series overview[edit]

Season 1 (2018)[edit]

Season 2 (2019)[edit]

International broadcast[edit]

In the United Kingdom, the series was shown on BBC One in September 2018 and as stream-only on BBC Three.^[50] The first episode was broadcast on September 15, 2018,^[51] and seen by 5.78million viewers within the first seven days.^[52] The second season was released in its entirety on BBC iPlayer on 8 June 2019 and with its first episode being shown on BBC One the same day.^[53] In the UK series two of Killing Eve was seen by 7.10 million viewers.

Irish broadcaster RTÉ2 was the first broadcaster in Europe to premiere the show,^[54] with the first episode broadcast on August 27, 2018.^[55]

In Australia, the ABC released the second season episodes on the stream-only ABC iview, two days before their premiere in the US.^[56] The first season was released June 2018.

In New Zealand, season two episodes also premiered two days before their US broadcast on TVNZ Ondemand.^[57] Episodes will air on TVNZ 2 the same day as the US broadcast. First season episodes aired in July 2018 on TVNZ Ondemand after having also aired the same day as the US.

The second season received its first European broadcast on RTÉ2 on April 10, 2019.

Reception[edit]

Critical response[edit]

Season 1[edit]

On Rotten Tomatoes, the first season has an approval rating of 96% based on 94 reviews, with an average rating of 8.28/10. The website's critical consensus reads, 'Seductive and surprising, Killing Eve's twist on the spy vs. spy concept rewards viewers with an audaciously entertaining show that finally makes good use of Sandra Oh's talents.'^[58] On Metacritic, it has a weighted average score of 83 out of 100 based on 22 critics, indicating 'universal acclaim'.^[59]

Jenna Scherer, writing in Rolling Stone, described Killing Eve as 'hilarious, bloody, unclassifiable' and idiosyncratic, 'a stylish story of obsession and psychopathy that's disarmingly warm and lived-in'.^[60] Scherer went on to write that the show 'undermines every rule of TV', with what it does best being its 'dry wit, razor-wire tension, sex appeal and the looming threat of violence'.^[60] Hanh Nguyen wrote on IndieWire that one of the show's most appealing aspects is 'how it subverts expectation', allowing it to 'constantly surprise and delight'.^[61] Troy Patterson wrote in The New Yorker that the story discloses 'a life independent of genre conventions' and that the triumph of the show's style is its 'reconciliation of the outlandish and the intimate', adding that the 'Jason Bourne-style escapism of the bare premise, inflected by the assertively odd tone, yields fresh depictions of fear and grief'.^[62] In the context of Vulture's selection of Sandra Oh as the best actress on television (June 2018), Matt Zoller Seitz wrote that there was 'no precedent' for the 'wild extremes' of the show's 'comedy and thriller elements'.^[63] While Mike Hale acknowledged in The New York Times that 'scenes and characterizations play out differently than we're used to' and the comic style is distinctive, he also wrote – in contrast to most reviewers – of being 'just as conscious of (the show's) congruences with standard examples of the genre ... as ... of the differences', citing Berlin Station, La Femme Nikita, Covert Affairs and Homeland.^[64]

Scherer described the show as a feminine take on a traditionally masculine genre—'more interested in giving space to character beats and the weird chaos that can leak into the best-laid plans'.^[60] Similarly, Melanie McFarland wrote for Salon that Killing Eve has been dubbed a 'feminist thriller', calling it a 'perfect show for the #MeToo era', saying that it 'slakes one's desire to see piggish misogynists get what's coming to them' but also delves into complex trust issues among women and shows 'sisterhood's might and peril (as) powerful ... but ... also complicated and devoid of guarantees'.^[65] Along the same lines, Willa Paskin wrote in Slate that Killing Eve is a story about 'the literal dangers of underestimating women: of not seeing the woman who can kill you, underestimating the woman who can stop her'.^[66] Paskin added that “The disfigured, beating heart of Killing Eve is the way that Villanelle’s gender and manner, her very femininity, keep our acculturated brains from being appropriately terrified of her'.^[66]

Jia Tolentino acknowledged in The New Yorker how critics have noted that women characters are substituted for men 'in every meaningful part', that the men are 'formulaic' but the women are 'deeply strange'.^[67] However, Tolentino asserted that Killing Eve 'isn't shaped around the concept of women; it's shaped around these women, who are unlike any others in their wild, unlikely interior weirdness and flux'.^[67] She added that a defining feature of the show is its 'constant reversals in tone and rhythm', with the show's thrill coming 'from pattern rather than resolution'.^[67]

Ben Goldberg wrote in Into that the series 'never outright explains its characters' sexualities, but unlike shows that queerbait their audiences, Killing Eve does not need to name the relationship between Eve and Villanelle in order to recognize it', adding that the show 'does not shy away from its characters' sexual attraction but also complicates this narrative at every turn'.^[68]

Hannah Giorgis wrote in The Atlantic that the show's greatest success is 'how alluring it makes its villain: to both Eve ... and audiences', and that Villanelle's character subverts feminine stereotypes so as to 'carve a jagged space into the serial-killer canon'.^[69]

Season 2[edit]

On Rotten Tomatoes, the second season has an approval rating of 94% based on 40 reviews, with an average rating of 8.22/10. The website's critical consensus reads, 'With the titillating cat-and-mouse game still rooted at its core, Killing Eve returns for an enthralling second season of considerably higher stakes, hilariously dark humor and a captivating dynamic between characters, solidifying its position as one of the best spy thrillers out.'^[70] On Metacritic, it has a weighted average score of 87 out of 100 based on 19 critics, indicating 'universal acclaim'.^[71]

Chitra Ramaswamy wrote in The Guardian that the show 'uproots the tired old sexist tropes of spy thrillers then repots them as feminist in-jokes, patriarchal piss-takes, tasteless murders and blooms of sapphic chemistry'.^[72] Describing how Villanelle 'does what she always does—exploit society’s misogyny by imitating a victim of it'—Emily Nussbaum wrote in The New Yorker that the potent idea that undergirds the show is that 'femininity is itself a sort of sociopathy, whose performance, if you truly nail it, might be the source of ultimate power'.^[73]

Angelica Jade Bastién wrote in Vulture that the second season, with new showrunner Emerald Fennell, 'trades in the precise mordant wit of series creator Phoebe Waller-Bridge for something more garish and horrifying', further describing the 'wild consumption' of food and clothing 'that builds into the closest thing the show has come to a genuine sex scene between' the two women.^[74] Bastién also perceived that 'Killing Eve is deeply indebted to film noir, a genre whose backbone is the ways people lose their soul in the face of desire—...but it’s a noir operating at the tenor of a fairy tale'.^[74]

'Best of' lists[edit]

Review aggregator Metacritic reported in early December 2018 that more individual television critics included Killing Eve in their 2018 year-end Top Ten lists than any other show.^[75]

In November 2018, Killing Eve was chosen as Time magazine's #1 Best Show of 2018, the magazine's Judy Berman writing that 'the characters were multidimensional but incomplete, their mutual obsession fueled by the sense that each woman had something crucial the other lacked'.^[76] It was number three on The New York Post's Decider.com 'Best TV Shows of 2018' list, being praised for 'brilliant writing' and 'nuanced performances'.^[77] It was also #2 on the '25 Best TV Shows of 2018' list from Paste magazine, which labeled it as 'the best new series of the year'.^[78]

In December 2018, The Guardian named Killing Eve the best TV show of 2018, describing it as a 'high-wire act of misdirection that subverted stale genre expectations' and saying that it 'mix[es] genres – spy thriller, comedy, action film, workplace drama and... farce – without it collapsing into a tonal mess'.^[79]The New York Times included Killing Eve in its 'Best TV Shows of 2018' list, stating that the series was 'infused ... with the brio of a dark comedy, though its hour length marked it as crime drama'.^[80]The New York Times also included Oh's and Comer's performances in its list of 'Best Performances of 2018', noting 'these two women are inventive about how to be funny in a thriller' and 'make run-of-the mill embarrassment seem more lethal than any bullet'.^[81]NPR included the show on its list of 'Favorite TV Shows of 2018', saying that it may be 'the strangest—and most compelling—story of how opposites attract on TV this year'.^[82]

The Washington Post listed Killing Eve as the #3 best show, calling the 'sleeper hit... splendidly paced'.^[83]USA Today listed the show as #5 on its 'Best TV Shows of 2018' list, remarking that it 'completely surprises you, from its writing to its performances to its direction to the names on the poster'.^[84]New York magazine's pop culture website Vulture included the series as number seven on Jen Chaney's '10 Best TV Shows of 2018' list, remarking on its immediate and escalating 'sense of propulsive daring' and its infusion of 'feminine energy'.^[85]TV Guide named Oh's and Comer's performances as the second best TV performance of 2018, and said that the show 'ended up on pretty much everyone's Best of 2018 lists'.^[86]Vanity Fair listed the show as #2 on its 'Best TV Shows of 2018' list, saying that 'watching Killing Eve is like spraying a disinfectant for the musty tropes of prestige drama directly onto your brain' and inviting viewers to 'come for the black comedy; stay for the fashion'.^[87]

Rolling Stone named the show as the #4 best TV show of 2018, describing it as 'exciting and scary while making room for the quippy dialogue and smart observations about how women interact'.^[88]IndieWire listed Killing Eve as the #4 best new TV show of 2018, saying that 'exploring identity and dark desires, the series never met an impulse it didn't pursue to its extreme', and that 'outrageous and often off-kilter dark humor only highlights the show's transgressive charms'.^[89]Livingly Media listed the series as the third best TV show of 2018, saying it is 'loaded with quippy dialogue and razor-sharp observations about how women interact in increasingly destructive environments'.^[90]Mashable rated the show number four on its 'Best New TV Shows of 2018' list, praising the two lead actors and commenting that the show was 'exactly the weird, psychosexual romp (that) 2018 needed'.^[91]

Ratings[edit]

The first season had unbroken weekly ratings growth among adults aged 25–54 and 18–49, which no other television show had accomplished in more than a decade.^[92] The final episode's 1.25million viewers (Nielsen live+3) was 86 percent greater than for the premiere.^[92] The second season was simulcast on both AMC and BBC America, with its premiere drawing a combined total of 1.17 million viewers.

Season 1[edit]

Killing Eye Season 1 In English Download Torrent Full

Season 2[edit]

UK Ratings[edit]

Series 1[edit]

Series 2[edit]

All UK ratings are taken from The Broadcast Audience Research Board .

Accolades[edit]

References[edit]

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External links[edit]

• Killing Eve at BBC Programmes
• Killing Eve at BBC America
• Killing Eve on IMDb
• Jennings, Luke (August 5, 2018). 'Killing Eve: how my psycho killer was brought to life'. The Guardian. Archived from the original on August 5, 2018. (Author's story of the novellas and adapting to the television series

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